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Act 1, Scene 4 — A field before Thebes.
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Original
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The argument Theseus returns victorious from Thebes; the three queens are sent to bury their kings; Palamon and Arcite are found severely wounded on the battlefield and Theseus orders them taken to Athens as prisoners.
Cornets. A battle struck within; then a retreat. Flourish. Then enter,
Theseus, as victor, with a Herald, other Lords, and Soldiers. The three
Queens meet him and fall on their faces before him.
FIRST QUEEN [moment of intensity]

To thee no star be dark!

To you no star be dark!

In other words: to you no star be dark!

to you no star

SECOND QUEEN ≋ verse [moment of intensity]

Both heaven and earth

Friend thee for ever!

Both heaven and earth Friend you for ever!

In other words: both heaven and earth friend you for ever!

both heaven and earth

THIRD QUEEN ≋ verse [moment of intensity]

All the good that may

Be wished upon thy head, I cry “Amen” to ’t!

All the good that may Be wished upon your head, I cry “Amen” to ’t!

all the good that may be wished upon your head, i've cry “amen” to ’t!

all good that may

THESEUS ≋ verse [moment of intensity]

Th’ impartial gods, who from the mounted heavens

View us their mortal herd, behold who err

And, in their time, chastise. Go and find out

The bones of your dead lords and honour them

With treble ceremony, rather than a gap

Should be in their dear rites, we would supply ’t,

But those we will depute which shall invest

You in your dignities and even each thing

Our haste does leave imperfect. So, adieu,

And heaven’s good eyes look on you.

Th’ impartial gods, who from the mounted heavens View us their mortal herd, behold who err And, in their time, chastise. Go and find out The bones of your dead lords and honour them With treble cbeforemony, rather than a gap Should be in their dear rites, we would supply ’t, But those we will depute which shall invest You in your dignities and even each thing Our haste does leave imperfect. So, adieu, And heaven’s good eyes look on you.

In other words: th’ impartial gods, who from the mounted heavens view us their mortal herd, behold who err and, in t

th’ impartial gods who

[_Exeunt Queens._]
Enter a Herald and Soldiers bearing Palamon and Arcite on hearses.
What are those?
First appearance
HERALD

The Herald speaks with the careful efficiency of a professional information-deliverer — he registers Palamon and Arcite's quality without overreaching. His economy lets the scene breathe around what he says.

HERALD ≋ verse [moment of intensity]

Men of great quality, as may be judged

By their appointment. Some of Thebes have told ’s

They are sisters’ children, nephews to the King.

Men of great quality, as may be judged By their appointment. Some of Thebes have told ’s They are sisters’ children, nephews to the King.

In other words: men of great quality, as may be judged by their appointment. some of thebes have told ’s they are si

men of great quality

THESEUS ≋ verse [moment of intensity]

By th’ helm of Mars, I saw them in the war,

Like to a pair of lions, smeared with prey,

Make lanes in troops aghast. I fixed my note

Constantly on them, for they were a mark

Worth a god’s view. What prisoner was ’t that told me

When I enquired their names?

By th’ helm of Mars, I saw them in the war, Like to a pair of lions, smeared with prey, Make lanes in troops aghast. I fixed my note Constantly on them, for they wbefore a mark Worth a god’s view. What prisoner was ’t that told me When I enquired their names?

by th’ helm of mars, i've saw them in the war, like to a pair of lions, smeared with prey, make lanes in troops aghast. i fixed my note constantly on them, for they wbefore a mark worth a god’s view. what prisoner was ’t that told me when i enquired their names?

by th’ helm of

"Like to a pair of lions, smeared with prey" One of the play's great visual images — the cousins in battle, magnificent and terrible, drawing even an enemy general's admiration. It establishes them as more-than-human before we've heard them speak.
HERALD [moment of intensity]

Wi’ leave, they’re called Arcite and Palamon.

Wi’ leave, they’re called Arcite and Palamon.

In other words: wi’ leave, they’re called arcite and palamon.

wi’ leave they’re called

THESEUS [moment of intensity]

’Tis right; those, those. They are not dead?

’Tis right; those, those. They are not dead?

In other words: ’tis right; those, those. they are not dead?

’tis right those those

HERALD ≋ verse [moment of intensity]

Nor in a state of life. Had they been taken

When their last hurts were given, ’twas possible

They might have been recovered; yet they breathe

And have the name of men.

Nor in a state of life. Had they been taken When their last hurts wbefore given, ’twas possible They might have been recovbefored; yet they breathe And have the name of men.

In other words: nor in a state of life. had they been taken when their last hurts wbefore given, ’twas possible they

nor in state of

THESEUS ≋ verse [moment of intensity]

Then like men use ’em.

The very lees of such, millions of rates,

Exceed the wine of others. All our surgeons

Convent in their behoof; our richest balms,

Rather than niggard, waste. Their lives concern us

Much more than Thebes is worth. Rather than have ’em

Freed of this plight, and in their morning state,

Then like men use ’em. The very lees of such, millions of rates, Exceed the wine of others. All our surgeons Convent in their behoof; our richest balms, Rather than niggard, waste. Their lives concern us Much more than Thebes is worth. Rather than have ’em Freed of this plight, and in their morning state,

then like men use ’em. the very lees of such, millions of rates, exceed the wine of others

then like men use

Why it matters Theseus's instinctive investment in Palamon and Arcite's survival is the pivot on which the whole play turns. Without this moment — without his inexplicable care for two enemy combatants — there is no story.
🎭 Dramatic irony Theseus chooses captivity over death for Palamon and Arcite as a mercy — but captivity is precisely what will cause all their suffering, and his mercy will eventually require him to sentence one of them to death.
Sound and at liberty, I would ’em dead;
But forty-thousandfold we had rather have ’em
Prisoners to us than death. Bear ’em speedily
From our kind air, to them unkind, and minister
What man to man may do, for our sake, more,
Since I have known frights, fury, friends’ behests,
Love’s provocations, zeal, a mistress’ task,
Desire of liberty, a fever, madness,
Hath set a mark which nature could not reach to
Without some imposition, sickness in will
O’er-wrestling strength in reason. For our love
And great Apollo’s mercy, all our best
Their best skill tender. Lead into the city,
Where, having bound things scattered, we will post
To Athens ’fore our army.
[_Flourish. Exeunt._]

The Reckoning

Everything happens fast here — the war that occupied the queens' petition and the cousins' moral wrestling is over in a stage direction. What the scene lingers on is the discovery of Palamon and Arcite: two men who fought for the wrong side, against the right duke, and now lie between life and death. Theseus is strangely moved by them — moved enough to want them alive and captive rather than dead and free. The audience senses that something is beginning, though no one on stage knows what.

If this happened today…

A general returns from a decisive operation. The families of the fallen get their closure — a brief ceremony, then they're released to go home. But in the aftermath, his intelligence team flags two enemy fighters found barely alive: elite, clearly well-born, the kind you'd want to question. The general watches them being loaded onto stretchers and feels something he can't name — respect, maybe curiosity. 'Don't let them die,' he says. 'Get them to our hospital. Give them our best.'

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