The English power is near, led on by Malcolm,
His uncle Siward, and the good Macduff.
Revenges burn in them; for their dear causes
Would to the bleeding and the grim alarm
Excite the mortified man.
The English power is near, led on by Malcolm, His uncle Siward, and the good Macduff. Revenges burn in them; for their dear causes Would to the bleeding and the grim alarm Excite the mortified man.
the english power is near, led on by malcolm, his uncle siward, and the good macduff. revenges burn in them; for their dear causes would to the bleeding and the grim alarm excite the mortified man.
the english power is near, led on by malcolm, his uncle siwa
Near Birnam wood
Shall we well meet them. That way are they coming.
Near Birnam wood Shall we well meet them. That way are they coming.
near birnam wood shall we well meet them. that way are they coming.
near birnam wood shall we well meet them. that way are they
Who knows if Donalbain be with his brother?
Who knows if Donalbain be with his brother?
who knows if donalbain be with his brother?
who knows if donalbain be with his brother?
For certain, sir, he is not. I have a file
Of all the gentry: there is Siward’s son
And many unrough youths, that even now
Protest their first of manhood.
For certain, sir, he is not. I have a file Of all the gentry: there is Siward’s son And many unrough youths, that even now Protest their first of manhood.
for certain, sir, he is not. i have a file of all the gentry: there is siward’s son and many unrough youths, that even now protest their first of manhood.
for certain, sir, he is not. i have a file of all the gentry
Acts 5-2 through 5-8 are structured like modern intercutting: quick, short scenes alternating between the two sides, building pace and inevitability. Shakespeare wrote before cinematic editing existed, but the technique is the same — cut from Macbeth's fortress to the approaching army, back to Macbeth, back to the army, each scene shorter than the last as the two forces converge. The effect is compression: we feel the walls closing. Scene 5-2 is largely functional — it gives us a 'status update' on the resistance — but its language is rich enough that it does more than mere plot work. Angus's 'giant's robe upon a dwarfish thief' is one of the play's great images. Even the connective tissue of Act 5 contains Shakespeare's best writing.
What does the tyrant?
What does the tyrant?
what does the tyrant?
what does the tyrant?
Great Dunsinane he strongly fortifies.
Some say he’s mad; others, that lesser hate him,
Do call it valiant fury: but, for certain,
He cannot buckle his distemper’d cause
Within the belt of rule.
Great Dunsinane he strongly fortifies. Some say he’s mad; others, that lesser hate him, Do call it valiant fury: but, for certain, He cannot buckle his distemper’d cause Within the belt of rule.
great dunsinane he strongly fortifies. some say he’s mad; others, that lesser hate him, do call it valiant fury: but, for certain, he cannot buckle his distemper’d cause within the belt of rule.
great dunsinane he strongly fortifies. some say he’s mad; ot
Now does he feel
His secret murders sticking on his hands;
Now minutely revolts upbraid his faith-breach;
Those he commands move only in command,
Nothing in love: now does he feel his title
Hang loose about him, like a giant’s robe
Upon a dwarfish thief.
Now does he feel His secret murders sticking on his hands; Now minutely revolts upbraid his faith-breach; Those he commands move only in command, Nothing in love: now does he feel his title Hang loose about him, like a giant’s robe Upon a dwarfish thief.
now does he feel his secret murders sticking on his hands; now minutely revolts upbraid his faith-breach; those he commands move only in command, nothing in love: now does he feel his title hang loose about him, like a giant’s robe upon a dwarfish thief.
now does he feel his secret murders sticking on his hands; n
Who, then, shall blame
His pester’d senses to recoil and start,
When all that is within him does condemn
Itself for being there?
Who, then, shall blame His pester’d senses to recoil and start, When all that is within him does condemn Itself for being there?
who, then, shall blame his pester’d senses to recoil and start, when all that is within him does condemn itself for being there?
who, then, shall blame his pester’d senses to recoil and sta
Well, march we on,
To give obedience where ’tis truly ow’d:
Meet we the med’cine of the sickly weal;
And with him pour we, in our country’s purge,
Each drop of us.
Well, march we on, To give obedience where ’tis truly ow’d: Meet we the med’cine of the sickly weal; And with him pour we, in our country’s purge, Each drop of us.
well, march we on, to give obedience where ’tis truly ow’d: meet we the med’cine of the sickly weal; and with him pour we, in our country’s purge, each drop of us.
well, march we on, to give obedience where ’tis truly ow’d:
Or so much as it needs
To dew the sovereign flower, and drown the weeds.
Make we our march towards Birnam.
Or so much as it needs To dew the sovereign flower, and drown the weeds. Make we our march towards Birnam.
or so much as it needs to dew the sovereign flower, and drown the weeds. make we our march towards birnam.
or so much as it needs to dew the sovereign flower, and drow
The Reckoning
A short connective scene, military in tone, functioning as a chorus. It updates us on the political situation (the resistance is organized, the armies are converging) and on the social reality: Macbeth is now called 'the tyrant' openly by Scottish lords, no longer even a contested king. The language these lords use about him — 'his pestered senses recoil and start'; 'those he commands move only in command, nothing in love' — contrasts with their own voluntary march. They serve Malcolm because they want to; Macbeth's men serve because they must. The distinction between legitimate and illegitimate authority runs through every line of the scene.
If this happened today…
Officers in an army that has turned against its own general. They're marching to join the coalition forces. One says: 'I hear he's barricaded himself in the compound.' Another: 'His own men are only there because they have to be — not one of them would stay if they could leave.'