Absence from the beloved felt like eternal winter, though the season was actually summer and autumn; without the beloved, plenty becomes desolation.
Sonnet 97 presents one of Shakespeare's most profound paradoxes: external abundance and internal desolation. The calendar promised summer and autumn fertility; the speaker experienced December barrenness. This inversion isn't metaphorical only—the speaker's perception actually rewrites the season. Time itself becomes subject to emotional state. The beloved is so central to the speaker's experience of time that without them, the entire seasonal cycle collapses. Nature's profusion becomes orphaned, motherless, meaningless.
The image of 'widowed wombs after their lords' decease' is extraordinarily bleak: fertility without purpose, pregnancy without paternity. The earth brings forth abundance but for no one—all increase is fatherless hope. This image transfers the speaker's abandonment onto nature itself. The beloved is the father of all pleasure and joy; absent the beloved, even natural generation becomes grief. Plenty becomes evidence of loss rather than fulfillment. Every sign of life announces the beloved's absence.
During a long-distance phase, everyone says 'at least it's summer, get outside, travel.' But you can't enjoy the beach, festivals, warm nights—they all remind you of them. The abundance of good weather feels like deprivation. You're frozen while the world blooms.