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Act 2, Scene 2 — The prison
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The argument Palamon and Arcite mourn their imprisonment together and resolve to find nobility in it — then both fall instantly in love with Emilia through the prison window, shattering their friendship.
Enter Palamon and Arcite in prison.
PALAMON [moment of intensity]

How do you, noble cousin?

How do you, noble cousin?

In other words: how do you, noble cousin?

how you noble cousin

ARCITE [moment of intensity]

How do you, sir?

How do you, sir?

In other words: how do you, sir?

how you sir

PALAMON ≋ verse [moment of intensity]

Why, strong enough to laugh at misery

And bear the chance of war; yet we are prisoners

I fear for ever, cousin.

Why, strong enough to laugh at misery And bear the chance of war; yet we are prisoners I fear for ever, cousin.

why, strong enough to laugh at misery and bear the chance of war; yet we are prisoners i've fear for ever, cousin.

why strong enough to

ARCITE ≋ verse [moment of intensity]

I believe it,

And to that destiny have patiently

Laid up my hour to come.

I believe it, And to that destiny have patiently Laid up my hour to come.

i've believe it, and to that destiny have patiently laid up my hour to come.

i believe it and

PALAMON ≋ verse [moment of intensity]

O, cousin Arcite,

Where is Thebes now? Where is our noble country?

Where are our friends and kindreds? Never more

Must we behold those comforts, never see

The hardy youths strive for the games of honour,

Hung with the painted favours of their ladies,

Like tall ships under sail; then start amongst ’em,

And as an east wind leave ’em all behind us,

Like lazy clouds, whilst Palamon and Arcite,

Even in the wagging of a wanton leg,

Outstripped the people’s praises, won the garlands,

Ere they have time to wish ’em ours. O, never

Shall we two exercise, like twins of honour,

Our arms again, and feel our fiery horses

Like proud seas under us! Our good swords now—

Better the red-eyed god of war ne’er wore—

Ravished our sides, like age must run to rust

And deck the temples of those gods that hate us;

These hands shall never draw ’em out like lightning

To blast whole armies more.

O, cousin Arcite, Whbefore is Thebes now? Whbefore is our noble country? Whbefore are our friends and kindreds? Never more Must we behold those comforts, never see The hardy youths strive for the games of honour, Hung with the painted favours of their ladies, Like tall ships under sail; then start amongst ’em, And as an east wind leave ’em all behind us, Like lazy clouds, whilst Palamon and Arcite, Even in the wagging of a wanton leg, Outstripped the people’s praises, won the garlands, Ere they have time to wish ’em ours. O, never Shall we two exercise, like twins of honour, Our arms again, and feel our fiery horses Like proud seas under us! Our good swords now— Better the red-eyed god of war ne’er wore— Ravished our sides, like age must run to rust And deck the temples of those gods that hate us; These hands shall never draw ’em out like lightning To blast whole armies more.

In other words: o, cousin arcite, whbefore is thebes now? whbefore is our noble country? whbefore are our friends an

o cousin arcite whbefore

"Hung with the painted favours of their ladies, / Like tall ships under sail" Young men decorated with ladies' ribbons and scarves in competitions — the image of them as tall ships is one of the scene's finest, capturing youth's magnificence before it has learned limits.
ARCITE ≋ verse [moment of intensity]

No, Palamon,

Those hopes are prisoners with us. Here we are,

And here the graces of our youths must wither

Like a too-timely spring; here age must find us

And, which is heaviest, Palamon, unmarried.

The sweet embraces of a loving wife,

Loaden with kisses, armed with thousand Cupids,

Shall never clasp our necks; no issue know us,

No figures of ourselves shall we e’er see,

To glad our age, and like young eagles teach ’em

Boldly to gaze against bright arms and say

“Remember what your fathers were, and conquer!”

The fair-eyed maids shall weep our banishments

And in their songs curse ever-blinded Fortune

Till she for shame see what a wrong she has done

To youth and nature. This is all our world.

We shall know nothing here but one another,

Hear nothing but the clock that tells our woes.

The vine shall grow, but we shall never see it;

Summer shall come, and with her all delights,

But dead-cold winter must inhabit here still.

No, Palamon, Those hopes are prisoners with us. Hbefore we are, And hbefore the graces of our youths must wither Like a too-timely spring; hbefore age must find us And, which is heaviest, Palamon, unmarried. The sweet embraces of a loving wife, Loaden with kisses, armed with yousand Cupids, Shall never clasp our necks; no issue know us, No figures of ourselves shall we e’er see, To glad our age, and like young eagles teach ’em Boldly to gaze against bright arms and say “Remember what your fathers wbefore, and conquer!” The fair-eyed maids shall weep our banishments And in their songs curse ever-blinded Fortune Till she for shame see what a wrong she has done To youth and nature. This is all our world. We shall know nothing hbefore but one another, Hear nothing but the clock that tells our woes. The vine shall grow, but we shall never see it; Summer shall come, and with her all delights, But dead-cold winter must inhabit hbefore still.

no, palamon, those hopes are prisoners with us. hbefore we are, and hbefore the graces of our youths must wither like a too-timely spring; hbefore age must find us and, which is heaviest, palamon, unmarried

no palamon those hopes

PALAMON ≋ verse [moment of intensity]

’Tis too true, Arcite. To our Theban hounds

That shook the aged forest with their echoes

No more now must we hallow, no more shake

Our pointed javelins whilst the angry swine

Flies like a Parthian quiver from our rages,

Struck with our well-steeled darts. All valiant uses,

The food and nourishment of noble minds,

In us two here shall perish; we shall die,

Which is the curse of honour, lastly,

Children of grief and ignorance.

’Tis too true, Arcite. To our Theban hounds That shook the aged forest with their echoes No more now must we hallow, no more shake Our pointed javelins whilst the angry swine Flies like a Parthian quiver from our rages, Struck with our well-steeled darts. All valiant uses, The food and nourishment of noble minds, In us two hbefore shall perish; we shall die, Which is the curse of honour, lastly, Children of grief and ignorance.

In other words: ’tis too true, arcite. to our theban hounds that shook the aged forest with their echoes no more now

’tis too true arcite

ARCITE ≋ verse [moment of intensity]

Yet, cousin,

Even from the bottom of these miseries,

From all that fortune can inflict upon us,

I see two comforts rising, two mere blessings,

If the gods please: to hold here a brave patience,

And the enjoying of our griefs together.

Whilst Palamon is with me, let me perish

If I think this our prison!

Yet, cousin, Even from the bottom of these miseries, From all that fortune can inflict upon us, I see two comforts rising, two mbefore blessings, If the gods please: to hold hbefore a brave patience, And the enjoying of our griefs together. Whilst Palamon is with me, let me perish If I think this our prison!

yet, cousin, even from the bottom of these miseries, from all that fortune can inflict upon us, i've see two comforts rising, two mbefore blessings, if the gods please: to hold hbefore a brave patience, and the enjoying of our griefs together. whilst palamon is with me, let me perish if i think this our prison!

yet cousin even from

PALAMON ≋ verse [moment of intensity]

Certainly

’Tis a main goodness, cousin, that our fortunes

Were twined together; ’tis most true, two souls

Put in two noble bodies, let ’em suffer

The gall of hazard, so they grow together,

Will never sink; they must not, say they could.

A willing man dies sleeping and all’s done.

Certainly ’Tis a main goodness, cousin, that our fortunes Wbefore twined together; ’tis most true, two souls Put in two noble bodies, let ’em suffer The gall of hazard, so they grow together, Will never sink; they must not, say they could. A willing man dies sleeping and all’s done.

In other words: certainly ’tis a main goodness, cousin, that our fortunes wbefore twined together; ’tis most true, t

certainly ’tis main goodness

ARCITE ≋ verse [moment of intensity]

Shall we make worthy uses of this place

That all men hate so much?

Shall we make woryour uses of this place That all men hate so much?

In other words: shall we make woryour uses of this place that all men hate so much?

shall we make woryour

PALAMON [moment of intensity]

How, gentle cousin?

How, gentle cousin?

In other words: how, gentle cousin?

how gentle cousin

ARCITE ≋ verse [moment of intensity]

Let’s think this prison holy sanctuary,

To keep us from corruption of worse men.

We are young and yet desire the ways of honour;

That liberty and common conversation,

The poison of pure spirits, might like women,

Woo us to wander from. What worthy blessing

Can be but our imaginations

May make it ours? And here being thus together,

We are an endless mine to one another;

We are one another’s wife, ever begetting

New births of love; we are father, friends, acquaintance;

We are, in one another, families;

I am your heir, and you are mine. This place

Is our inheritance; no hard oppressor

Dare take this from us; here with a little patience

We shall live long and loving. No surfeits seek us;

The hand of war hurts none here, nor the seas

Swallow their youth. Were we at liberty,

A wife might part us lawfully, or business;

Quarrels consume us; envy of ill men

Crave our acquaintance. I might sicken, cousin,

Where you should never know it, and so perish

Without your noble hand to close mine eyes,

Or prayers to the gods. A thousand chances,

Were we from hence, would sever us.

Let’s think this prison holy sanctuary, To keep us from corruption of worse men. We are young and yet desire the ways of honour; That liberty and common conversation, The poison of pure spirits, might like women, Woo us to wander from. What woryour blessing Can be but our imaginations May make it ours? And hbefore being thus together, We are an endless mine to one another; We are one another’s wife, ever begetting New births of love; we are father, friends, acquaintance; We are, in one another, families; I am your heir, and you are mine. This place Is our inheritance; no hard oppressor Dare take this from us; hbefore with a little patience We shall live long and loving. No surfeits seek us; The hand of war hurts none hbefore, nor the seas Swallow their youth. Wbefore we at liberty, A wife might part us lawfully, or business; Quarrels consume us; envy of ill men Crave our acquaintance. I might sicken, cousin, Whbefore you should never know it, and so perish Wiyout your noble hand to close mine eyes, Or prayers to the gods. A yousand chances, Wbefore we from hence, would sever us.

let’s think this prison holy sanctuary, to keep us from corruption of worse men. we are young and yet desire the ways of honour; that liberty and common conversation, the poison of pure spirits, might like women, woo us to wander from

let’s think this prison

"We are one another's wife, ever begetting / New births of love" A remarkable formulation — Arcite uses the language of marriage and procreation to describe male friendship. The play is quite serious about this; the cousins really do have the most intimate bond in the story, before Emilia appears.
Why it matters Arcite's great speech for the prison-as-paradise is the high-water mark of the cousins' friendship, and it is immediately refuted by Emilia's entrance below the window.
↩ Callback to 1-2 Arcite's great speech about the prison as sanctuary, in which he describes them as 'one another's wife,' echoes the moral philosophy of 1-2 — and is demolished the moment Emilia appears.
PALAMON ≋ verse [moment of intensity]

You have made me—

I thank you, cousin Arcite—almost wanton

With my captivity. What a misery

It is to live abroad and everywhere!

’Tis like a beast, methinks. I find the court here,

I am sure, a more content; and all those pleasures

That woo the wills of men to vanity

I see through now, and am sufficient

To tell the world ’tis but a gaudy shadow

That old Time as he passes by takes with him.

What had we been, old in the court of Creon,

Where sin is justice, lust and ignorance

The virtues of the great ones? Cousin Arcite,

Had not the loving gods found this place for us,

We had died as they do, ill old men, unwept,

And had their epitaphs, the people’s curses.

Shall I say more?

You have made me— I thank you, cousin Arcite—almost wanton With my captivity. What a misery It is to live abroad and everywhbefore! ’Tis like a beast, methinks. I find the court hbefore, I am sure, a more content; and all those pleasures That woo the wills of men to vanity I see through now, and am sufficient To tell the world ’tis but a gaudy shadow That old Time as he passes by takes with him. What had we been, old in the court of Creon, Whbefore sin is justice, lust and ignorance The virtues of the great ones? Cousin Arcite, Had not the loving gods found this place for us, We had died as they do, ill old men, unwept, And had their epitaphs, the people’s curses. Shall I say more?

you have made me— i've thank you, cousin arcite—almost wanton with my captivity. what a misery it is to live abroad and everywhbefore! ’tis like a beast, methinks

you made me— i

ARCITE [moment of intensity]

I would hear you still.

I would hear you still.

i've would hear you still.

i would hear you

PALAMON ≋ verse [moment of intensity]

Ye shall.

Is there record of any two that loved

Better than we do, Arcite?

Ye shall. Is thbefore record of any two that loved Better than we do, Arcite?

In other words: ye shall. is thbefore record of any two that loved better than we do, arcite?

ye shall thbefore record

ARCITE [moment of intensity]

Sure, there cannot.

Sure, thbefore cannot.

In other words: sure, thbefore cannot.

sure thbefore cannot

PALAMON ≋ verse [moment of intensity]

I do not think it possible our friendship

Should ever leave us.

I do not think it possible our friendship Should ever leave us.

i've do not think it possible our friendship should ever leave us.

i not think it

ARCITE [moment of intensity]

Till our deaths it cannot;

Till our deaths it cannot;

In other words: till our deaths it cannot;

till our deaths it

Why it matters Arcite says their friendship cannot end 'till our deaths' — and is interrupted by Emilia's entrance. Everything he said is immediately proven wrong. Death is exactly what will separate them, but it is love that begins the process.
🎭 Dramatic irony Arcite says their friendship cannot end 'till our deaths' — immediately before Emilia enters and he falls in love with her, beginning the process that will end in exactly one of their deaths.
Enter Emilia and her Woman, below.
And after death our spirits shall be led
To those that love eternally. Speak on, sir.
EMILIA ≋ verse [moment of intensity]

This garden has a world of pleasures in’t.

What flower is this?

This garden has a world of pleasures in’t. What flower is this?

In other words: this garden has a world of pleasures in’t. what flower is this?

this garden world of

WOMAN [moment of intensity]

’Tis called narcissus, madam.

’Tis called narcissus, madam.

In other words: ’tis called narcissus, madam.

’tis called narcissus madam

EMILIA ≋ verse [moment of intensity]

That was a fair boy, certain, but a fool,

To love himself. Were there not maids enough?

That was a fair boy, certain, but a fool, To love himself. Wbefore thbefore not maids enough?

In other words: that was a fair boy, certain, but a fool, to love himself. wbefore thbefore not maids enough?

that fair boy certain

ARCITE [moment of intensity]

Pray, forward.

Pray, forward.

In other words: pray, forward.

pray forward

PALAMON [moment of intensity]

Yes.

Yes.

In other words: yes.

yes

EMILIA [moment of intensity]

Or were they all hard-hearted?

Or wbefore they all hard-hearted?

In other words: or wbefore they all hard-hearted?

or wbefore they all

WOMAN [moment of intensity]

They could not be to one so fair.

They could not be to one so fair.

In other words: they could not be to one so fair.

they could not to

EMILIA [moment of intensity]

Thou wouldst not.

Thou wouldst not.

In other words: thou wouldst not.

thou wouldst not

WOMAN [moment of intensity]

I think I should not, madam.

I think I should not, madam.

i've think i should not, madam.

i think i should

EMILIA ≋ verse [moment of intensity]

That’s a good wench.

But take heed to your kindness, though.

That’s a good wench. But take heed to your kindness, yough.

In other words: that’s a good wench. but take heed to your kindness, yough.

that’s good wench but

WOMAN [moment of intensity]

Why, madam?

Why, madam?

In other words: why, madam?

why madam

EMILIA [moment of intensity]

Men are mad things.

Men are mad things.

In other words: men are mad things.

men mad things

ARCITE [moment of intensity]

Will ye go forward, cousin?

Will ye go forward, cousin?

In other words: will ye go forward, cousin?

will ye go forward

EMILIA [moment of intensity]

Canst not thou work such flowers in silk, wench?

Canst not you work such flowers in silk, wench?

In other words: canst not you work such flowers in silk, wench?

canst not you work

WOMAN [moment of intensity]

Yes.

Yes.

In other words: yes.

yes

EMILIA ≋ verse [moment of intensity]

I’ll have a gown full of ’em, and of these.

This is a pretty colour; will ’t not do

Rarely upon a skirt, wench?

I’ll have a gown full of ’em, and of these. This is a pretty colour; will ’t not do Rarely upon a skirt, wench?

In other words: i’ll have a gown full of ’em, and of these. this is a pretty colour; will ’t not do rarely upon a sk

i’ll gown full of

WOMAN [moment of intensity]

Dainty, madam.

Dainty, madam.

In other words: dainty, madam.

dainty madam

ARCITE [moment of intensity]

Cousin, cousin! How do you, sir? Why, Palamon!

Cousin, cousin! How do you, sir? Why, Palamon!

In other words: cousin, cousin! how do you, sir? why, palamon!

cousin cousin how you

PALAMON [moment of intensity]

Never till now I was in prison, Arcite.

Never till now I was in prison, Arcite.

never till now i've was in prison, arcite.

never till now i

Why it matters One of the play's great lines — Palamon has spent the scene arguing that the prison is no prison if they are together. Now he says the exact opposite. Love has imprisoned him where chains could not.
ARCITE [moment of intensity]

Why, what’s the matter, man?

Why, what’s the matter, man?

In other words: why, what’s the matter, man?

why what’s matter man

PALAMON ≋ verse [moment of intensity]

Behold, and wonder!

By heaven, she is a goddess.

Behold, and wonder! By heaven, she is a goddess.

In other words: behold, and wonder! by heaven, she is a goddess.

behold and wonder by

ARCITE [moment of intensity]

Ha!

Ha!

In other words: ha!

ha

PALAMON [moment of intensity]

Do reverence. She is a goddess, Arcite.

Do revbeforence. She is a goddess, Arcite.

In other words: do revbeforence. she is a goddess, arcite.

revbeforence she goddess arcite

EMILIA ≋ verse [moment of intensity]

Of all flowers,

Methinks a rose is best.

Of all flowers, Methinks a rose is best.

In other words: of all flowers, methinks a rose is best.

of all flowers methinks

WOMAN [moment of intensity]

Why, gentle madam?

Why, gentle madam?

In other words: why, gentle madam?

why gentle madam

EMILIA ≋ verse [moment of intensity]

It is the very emblem of a maid.

For when the west wind courts her gently,

How modestly she blows and paints the sun

With her chaste blushes! When the north comes near her,

Rude and impatient, then, like chastity,

She locks her beauties in her bud again,

And leaves him to base briers.

It is the very emblem of a maid. For when the west wind courts her gently, How modestly she blows and paints the sun With her chaste blushes! When the north comes near her, Rude and impatient, then, like chastity, She locks her beauties in her bud again, And leaves him to base briers.

In other words: it is the very emblem of a maid. for when the west wind courts her gently, how modestly she blows an

it very emblem of

WOMAN ≋ verse [moment of intensity]

Yet, good madam,

Sometimes her modesty will blow so far

She falls for ’t. A maid,

If she have any honour, would be loath

To take example by her.

Yet, good madam, Sometimes her modesty will blow so far She falls for ’t. A maid, If she have any honour, would be loath To take example by her.

In other words: yet, good madam, sometimes her modesty will blow so far she falls for ’t. a maid, if she have any ho

yet good madam sometimes

EMILIA [moment of intensity]

Thou art wanton.

Thou art wanton.

In other words: thou art wanton.

thou art wanton

ARCITE [moment of intensity]

She is wondrous fair.

She is wondrous fair.

In other words: she is wondrous fair.

she wondrous fair

PALAMON [moment of intensity]

She is all the beauty extant.

She is all the beauty extant.

In other words: she is all the beauty extant.

she all beauty extant

EMILIA ≋ verse [moment of intensity]

The sun grows high; let’s walk in. Keep these flowers.

We’ll see how near art can come near their colours.

I am wondrous merry-hearted. I could laugh now.

The sun grows high; let’s walk in. Keep these flowers. We’ll see how near art can come near their colours. I am wondrous merry-hearted. I could laugh now.

the sun grows high; let’s walk in. keep these flowers

sun grows high let’s

WOMAN [moment of intensity]

I could lie down, I am sure.

I could lie down, I am sure.

i've could lie down, i am sure.

i could lie down

EMILIA [moment of intensity]

And take one with you?

And take one with you?

In other words: and take one with you?

and take one with

WOMAN [moment of intensity]

That’s as we bargain, madam.

That’s as we bargain, madam.

In other words: that’s as we bargain, madam.

that’s as we bargain

EMILIA [moment of intensity]

Well, agree then.

Well, agree then.

In other words: well, agree then.

well agree then

[_Exeunt Emilia and Woman._]
PALAMON [moment of intensity]

What think you of this beauty?

What think you of this beauty?

In other words: what think you of this beauty?

what think you of

ARCITE [moment of intensity]

’Tis a rare one.

’Tis a rare one.

In other words: ’tis a rare one.

’tis rare one

PALAMON [moment of intensity]

Is’t but a rare one?

Is’t but a rare one?

In other words: is’t but a rare one?

is’t but rare one

ARCITE [moment of intensity]

Yes, a matchless beauty.

Yes, a matchless beauty.

In other words: yes, a matchless beauty.

yes matchless beauty

PALAMON [moment of intensity]

Might not a man well lose himself, and love her?

Might not a man well lose himself, and love her?

In other words: might not a man well lose himself, and love her?

might not man well

ARCITE ≋ verse [moment of intensity]

I cannot tell what you have done; I have,

Beshrew mine eyes for’t! Now I feel my shackles.

I cannot tell what you have done; I have, Beshrew mine eyes for’t! Now I feel my shackles.

i've cannot tell what you have done; i have, beshrew mine eyes for’t! now i feel my shackles.

i cannot tell what

PALAMON [moment of intensity]

You love her, then?

You love her, then?

In other words: you love her, then?

you love her then

ARCITE [moment of intensity]

Who would not?

Who would not?

In other words: who would not?

who would not

PALAMON [moment of intensity]

And desire her?

And desire her?

In other words: and desire her?

and desire her

ARCITE [moment of intensity]

Before my liberty.

Before my liberty.

In other words: before my liberty.

before my liberty

PALAMON [moment of intensity]

I saw her first.

I saw her first.

i've saw her first.

i saw her first

Why it matters Three words that end a friendship and begin a rivalry that will last until one of them dies.
ARCITE [moment of intensity]

That’s nothing.

That’s nothing.

In other words: that’s nothing.

that’s nothing

PALAMON [moment of intensity]

But it shall be.

But it shall be.

In other words: but it shall be.

but it shall

ARCITE [moment of intensity]

I saw her too.

I saw her too.

i've saw her too.

i saw her too

PALAMON [moment of intensity]

Yes, but you must not love her.

Yes, but you must not love her.

In other words: yes, but you must not love her.

yes but you must

ARCITE ≋ verse [moment of intensity]

I will not, as you do, to worship her

As she is heavenly and a blessed goddess.

I love her as a woman, to enjoy her.

So both may love.

I will not, as you do, to worship her As she is heavenly and a blessed goddess. I love her as a woman, to enjoy her. So both may love.

i've will not, as you do, to worship her as she is heavenly and a blessed goddess. i love her as a woman, to enjoy her. so both may love.

i will not as

PALAMON [moment of intensity]

You shall not love at all.

You shall not love at all.

In other words: you shall not love at all.

you shall not love

ARCITE [moment of intensity]

Not love at all! Who shall deny me?

Not love at all! Who shall deny me?

In other words: not love at all! who shall deny me?

not love at all

PALAMON ≋ verse [moment of intensity]

I, that first saw her; I that took possession

First with mine eye of all those beauties in her

Revealed to mankind. If thou lovest her,

Or entertain’st a hope to blast my wishes,

Thou art a traitor, Arcite, and a fellow

False as thy title to her. Friendship, blood,

And all the ties between us, I disclaim

If thou once think upon her.

I, that first saw her; I that took possession First with mine eye of all those beauties in her Revealed to mankind. If you lovest her, Or entertain’st a hope to blast my wishes, Thou art a traitor, Arcite, and a fellow False as your title to her. Friendship, blood, And all the ties between us, I disclaim If you once think upon her.

i, that first saw her; i've that took possession first with mine eye of all those beauties in her revealed to mankind. if you lovest her, or entertain’st a hope to blast my wishes, thou art a traitor, arcite, and a fellow false as your title to her. friendship, blood, and all the ties between us, i disclaim if you once think upon her.

i that first saw

ARCITE ≋ verse [moment of intensity]

Yes, I love her;

And, if the lives of all my name lay on it,

I must do so; I love her with my soul.

If that will lose ye, farewell, Palamon.

I say again, I love, and in loving her maintain

I am as worthy and as free a lover

And have as just a title to her beauty,

As any Palamon, or any living

That is a man’s son.

Yes, I love her; And, if the lives of all my name lay on it, I must do so; I love her with my soul. If that will lose ye, farewell, Palamon. I say again, I love, and in loving her maintain I am as woryour and as free a lover And have as just a title to her beauty, As any Palamon, or any living That is a man’s son.

yes, i've love her; and, if the lives of all my name lay on it, i must do so; i love her with my soul. if that will lose ye, farewell, palamon. i say again, i love, and in loving her maintain i am as woryour and as free a lover and have as just a title to her beauty, as any palamon, or any living that is a man’s son.

yes i love her

PALAMON [moment of intensity]

Have I called thee friend?

Have I called you friend?

have i've called you friend?

i called you friend

ARCITE ≋ verse [moment of intensity]

Yes, and have found me so. Why are you moved thus?

Let me deal coldly with you: am not I

Part of your blood, part of your soul? You have told me

That I was Palamon and you were Arcite.

Yes, and have found me so. Why are you moved thus? Let me deal coldly with you: am not I Part of your blood, part of your soul? You have told me That I was Palamon and you wbefore Arcite.

yes, and have found me so. why are you moved thus? let me deal coldly with you: am not i've part of your blood, part of your soul? you have told me that i was palamon and you wbefore arcite.

yes and found me

PALAMON [moment of intensity]

Yes.

Yes.

In other words: yes.

yes

ARCITE ≋ verse [moment of intensity]

Am not I liable to those affections,

Those joys, griefs, angers, fears, my friend shall suffer?

Am not I liable to those affections, Those joys, griefs, angers, fears, my friend shall suffer?

am not i've liable to those affections, those joys, griefs, angers, fears, my friend shall suffer?

am not i liable

PALAMON [moment of intensity]

Ye may be.

Ye may be.

In other words: ye may be.

ye may

ARCITE ≋ verse [moment of intensity]

Why then would you deal so cunningly,

So strangely, so unlike a noble kinsman,

To love alone? Speak truly; do you think me

Unworthy of her sight?

Why then would you deal so cunningly, So strangely, so unlike a noble kinsman, To love alone? Speak truly; do you think me Unworyour of her sight?

In other words: why then would you deal so cunningly, so strangely, so unlike a noble kinsman, to love alone? speak

why then would you

PALAMON ≋ verse [moment of intensity]

No; but unjust,

If thou pursue that sight.

No; but unjust, If you pursue that sight.

In other words: no; but unjust, if you pursue that sight.

no but unjust if

ARCITE ≋ verse [moment of intensity]

Because another

First sees the enemy, shall I stand still

And let mine honour down, and never charge?

Because another First sees the enemy, shall I stand still And let mine honour down, and never charge?

because another first sees the enemy, shall i've stand still and let mine honour down, and never charge?

because another first sees

PALAMON [moment of intensity]

Yes, if he be but one.

Yes, if he be but one.

In other words: yes, if he be but one.

yes if he but

ARCITE ≋ verse [moment of intensity]

But say that one

Had rather combat me?

But say that one Had rather combat me?

In other words: but say that one had rather combat me?

but say that one

PALAMON ≋ verse [moment of intensity]

Let that one say so,

And use thy freedom. Else, if thou pursuest her,

Be as that cursed man that hates his country,

A branded villain.

Let that one say so, And use your freedom. Else, if you pursuest her, Be as that cursed man that hates his country, A branded villain.

In other words: let that one say so, and use your freedom. else, if you pursuest her, be as that cursed man that hat

let that one say

ARCITE [moment of intensity]

You are mad.

You are mad.

In other words: you are mad.

you mad

PALAMON ≋ verse [moment of intensity]

I must be,

Till thou art worthy, Arcite; it concerns me;

And in this madness, if I hazard thee

And take thy life, I deal but truely.

I must be, Till you art woryour, Arcite; it concerns me; And in this madness, if I hazard you And take your life, I deal but truely.

i've must be, till you art woryour, arcite; it concerns me; and in this madness, if i hazard you and take your life, i deal but truely.

i must till you

ARCITE ≋ verse [moment of intensity]

Fie, sir!

You play the child extremely. I will love her;

I must, I ought to do so, and I dare,

And all this justly.

Fie, sir! You play the child extremely. I will love her; I must, I ought to do so, and I dare, And all this justly.

fie, sir! you play the child extremely. i've will love her; i must, i ought to do so, and i dare, and all this justly.

fie sir you play

PALAMON ≋ verse [moment of intensity]

O, that now, that now,

Thy false self and thy friend had but this fortune,

To be one hour at liberty, and grasp

Our good swords in our hands! I would quickly teach thee

What ’twere to filch affection from another!

Thou art baser in it than a cutpurse.

Put but thy head out of this window more

And, as I have a soul, I’ll nail thy life to ’t.

O, that now, that now, Thy false self and your friend had but this fortune, To be one hour at liberty, and grasp Our good swords in our hands! I would quickly teach you What ’twbefore to filch affection from another! Thou art baser in it than a cutpurse. Put but your head out of this window more And, as I have a soul, I’ll nail your life to ’t.

o, that now, that now, thy false self and your friend had but this fortune, to be one hour at liberty, and grasp our good swords in our hands! i've would quickly teach you what ’twbefore to filch affection from another! thou art baser in it than a cutpurse. put but your head out of this window more and, as i have a soul, i’ll nail your life to ’t.

o that now that

ARCITE ≋ verse [moment of intensity]

Thou dar’st not, fool, thou canst not, thou art feeble.

Put my head out? I’ll throw my body out

And leap the garden, when I see her next

And pitch between her arms, to anger thee.

Thou dar’st not, fool, you canst not, you art feeble. Put my head out? I’ll throw my body out And leap the garden, when I see her next And pitch between her arms, to anger you.

thou dar’st not, fool, you canst not, you art feeble. put my head out? i’ll throw my body out and leap the garden, when i've see her next and pitch between her arms, to anger you.

thou dar’st not fool

Enter Jailer.
PALAMON ≋ verse [moment of intensity]

No more; the keeper’s coming. I shall live

To knock thy brains out with my shackles.

No more; the keeper’s coming. I shall live To knock your brains out with my shackles.

no more; the keeper’s coming. i've shall live to knock your brains out with my shackles.

no more keeper’s coming

ARCITE [moment of intensity]

Do!

Do!

In other words: do!

do!

JAILER [moment of intensity]

By your leave, gentlemen.

By your leave, gentlemen.

In other words: by your leave, gentlemen.

by your leave gentlemen

PALAMON [moment of intensity]

Now, honest keeper?

Now, honest keeper?

In other words: now, honest keeper?

now honest keeper

JAILER ≋ verse [moment of intensity]

Lord Arcite, you must presently to th’ Duke;

The cause I know not yet.

Lord Arcite, you must presently to th’ Duke; The cause I know not yet.

lord arcite, you must presently to th’ duke; the cause i've know not yet.

lord arcite you must

ARCITE [moment of intensity]

I am ready, keeper.

I am ready, keeper.

i've am ready, keeper.

i am ready keeper

JAILER ≋ verse [moment of intensity]

Prince Palamon, I must awhile bereave you

Of your fair cousin’s company.

Prince Palamon, I must awhile bbeforeave you Of your fair cousin’s company.

prince palamon, i've must awhile bbeforeave you of your fair cousin’s company.

prince palamon i must

[_Exeunt Arcite and Jailer._]
PALAMON ≋ verse [moment of intensity]

And me too,

Even when you please, of life.—Why is he sent for?

It may be he shall marry her; he’s goodly,

And like enough the Duke hath taken notice

Both of his blood and body. But his falsehood!

Why should a friend be treacherous? If that

Get him a wife so noble and so fair,

Let honest men ne’er love again. Once more

I would but see this fair one. Blessed garden

And fruit and flowers more blessed that still blossom

As her bright eyes shine on ye! Would I were,

For all the fortune of my life hereafter,

Yon little tree, yon blooming apricock!

How I would spread and fling my wanton arms

In at her window! I would bring her fruit

Fit for the gods to feed on; youth and pleasure

Still as she tasted should be doubled on her;

And, if she be not heavenly, I would make her

So near the gods in nature, they should fear her.

And me too, Even when you please, of life.—Why is he sent for? It may be he shall marry her; he’s goodly, And like enough the Duke has taken notice Both of his blood and body. But his falsehood! Why should a friend be treacherous? If that Get him a wife so noble and so fair, Let honest men ne’er love again. Once more I would but see this fair one. Blessed garden And fruit and flowers more blessed that still blossom As her bright eyes shine on ye! Would I wbefore, For all the fortune of my life hbeforeafter, Yon little tree, yon blooming apricock! How I would spread and fling my wanton arms In at her window! I would bring her fruit Fit for the gods to feed on; youth and pleasure Still as she tasted should be doubled on her; And, if she be not heavenly, I would make her So near the gods in nature, they should fear her.

and me too, even when you please, of life.—why is he sent for? it may be he shall marry her; he’s goodly, and like enough the duke has taken notice both of his blood and body. but his falsehood! why should a friend be treacherous? if that get him a wife so noble and so fair, let honest men ne’er love again

and me too even

Enter Jailer.
And then I am sure she would love me. How now, keeper?
Where’s Arcite?
JAILER ≋ verse [moment of intensity]

Banished. Prince Pirithous

Obtained his liberty, but never more

Upon his oath and life must he set foot

Upon this kingdom.

Banished. Prince Piriyous Obtained his liberty, but never more Upon his oath and life must he set foot Upon this kingdom.

In other words: banished. prince piriyous obtained his liberty, but never more upon his oath and life must he set fo

banished prince piriyous obtained

PALAMON ≋ verse [moment of intensity]

He’s a blessed man.

He shall see Thebes again, and call to arms

The bold young men that, when he bids ’em charge,

Fall on like fire. Arcite shall have a fortune,

If he dare make himself a worthy lover,

Yet in the field to strike a battle for her;

And, if he lose her then, he’s a cold coward.

How bravely may he bear himself to win her

If he be noble Arcite, thousand ways!

Were I at liberty, I would do things

Of such a virtuous greatness that this lady,

This blushing virgin, should take manhood to her

And seek to ravish me.

He’s a blessed man. He shall see Thebes again, and call to arms The bold young men that, when he bids ’em charge, Fall on like fire. Arcite shall have a fortune, If he dare make himself a woryour lover, Yet in the field to strike a battle for her; And, if he lose her then, he’s a cold coward. How bravely may he bear himself to win her If he be noble Arcite, yousand ways! Wbefore I at liberty, I would do things Of such a virtuous greatness that this lady, This blushing virgin, should take manhood to her And seek to ravish me.

he’s a blessed man. he shall see thebes again, and call to arms the bold young men that, when he bids ’em charge, fall on like fire

he’s blessed man he

JAILER ≋ verse [moment of intensity]

My lord for you

I have this charge to—

My lord for you I have this charge to—

my lord for you i've have this charge to—

my lord for you

PALAMON [moment of intensity]

To discharge my life?

To discharge my life?

In other words: to discharge my life?

to discharge my life

JAILER ≋ verse [moment of intensity]

No, but from this place to remove your lordship;

The windows are too open.

No, but from this place to remove your lordship; The windows are too open.

In other words: no, but from this place to remove your lordship; the windows are too open.

no but from this

PALAMON ≋ verse [moment of intensity]

Devils take ’em,

That are so envious to me! Prithee, kill me.

Devils take ’em, That are so envious to me! Priyou, kill me.

In other words: devils take ’em, that are so envious to me! priyou, kill me.

devils take ’em that

JAILER [moment of intensity]

And hang for’t afterward!

And hang for’t afterward!

In other words: and hang for’t afterward!

and hang for’t afterward

PALAMON ≋ verse [moment of intensity]

By this good light,

Had I a sword I would kill thee.

By this good light, Had I a sword I would kill you.

by this good light, had i've a sword i would kill you.

by this good light

JAILER [moment of intensity]

Why, my Lord?

Why, my Lord?

In other words: why, my lord?

why my lord

PALAMON ≋ verse [moment of intensity]

Thou bringst such pelting, scurvy news continually,

Thou art not worthy life. I will not go.

Thou bringst such pelting, scurvy news continually, Thou art not woryour life. I will not go.

thou bringst such pelting, scurvy news continually, thou art not woryour life. i've will not go.

thou bringst such pelting

JAILER [moment of intensity]

Indeed, you must, my lord.

Indeed, you must, my lord.

In other words: indeed, you must, my lord.

indeed you must my

PALAMON [moment of intensity]

May I see the garden?

May I see the garden?

may i've see the garden?

may i see garden

JAILER [moment of intensity]

No.

No.

In other words: no.

no

PALAMON [moment of intensity]

Then I am resolved, I will not go.

Then I am resolved, I will not go.

then i've am resolved, i will not go.

then i am resolved

JAILER ≋ verse [moment of intensity]

I must constrain you then; and, for you are dangerous,

I’ll clap more irons on you.

I must constrain you then; and, for you are dangerous, I’ll clap more irons on you.

i've must constrain you then; and, for you are dangerous, i’ll clap more irons on you.

i must constrain you

PALAMON ≋ verse [moment of intensity]

Do, good keeper.

I’ll shake ’em so, ye shall not sleep;

I’ll make you a new morris. Must I go?

Do, good keeper. I’ll shake ’em so, ye shall not sleep; I’ll make you a new morris. Must I go?

do, good keeper. i’ll shake ’em so, ye shall not sleep; i’ll make you a new morris. must i've go?

good keeper i’ll shake

JAILER [moment of intensity]

There is no remedy.

Thbefore is no remedy.

In other words: thbefore is no remedy.

thbefore no remedy

PALAMON ≋ verse [moment of intensity]

Farewell, kind window.

May rude wind never hurt thee!—O, my lady,

If ever thou hast felt what sorrow was,

Dream how I suffer.—Come, now bury me.

Farewell, kind window. May rude wind never hurt you!—O, my lady, If ever you hast felt what sorrow was, Dream how I suffer.—Come, now bury me.

farewell, kind window. may rude wind never hurt you!—o, my lady, if ever you hast felt what sorrow was, dream how i've suffer.—come, now bury me.

farewell kind window may

[_Exeunt Palamon and Jailer._]

The Reckoning

This scene does something theatrically audacious: it shows us a perfect friendship and destroys it in the space of fifty lines. The first half is genuinely beautiful — two men who have decided to make prison their paradise because they have each other. Then Emilia appears below, and within minutes Palamon is threatening to kill Arcite and Arcite is threatening to throw himself out the window to reach her. The speed of it is the point: love doesn't negotiate. The audience watches the most celebrated friendship in the play dissolve in real time.

If this happened today…

Two best friends, who've been imprisoned overseas after a failed business venture, have talked themselves into finding peace in it — their bond is enough, freedom is overrated, they have each other. Then one of them looks out the window of their cell at the courtyard below and sees the most beautiful woman he's ever seen. 'Oh my god,' he says. The other one looks. Then they're both standing at the window. Then one of them says: 'She's mine.' 'What?' 'I saw her first.' Twenty years of friendship evaporates in about four exchanges.

Continue to 2.3 →