Gaoler, look to him. Tell not me of mercy.
This is the fool that lent out money gratis.
Gaoler, look to him.
Gaoler, look to him. Tell not me of mercy. This is the fool that lent out money gratis. Gaoler, look to him.
Gaoler, look to him. Tell not me of mercy. This is the fool that lent out money gratis. Gaoler, look to him.
Gaoler, look to him Tell not me of mercy This is the fool that lent out money gratis Gaoler, look to him
Hear me yet, good Shylock.
Hear me yet, good Shylock.
Hear me yet, good Shylock.
Hear me yet, good Shylock
I’ll have my bond, speak not against my bond.
I have sworn an oath that I will have my bond.
Thou call’dst me dog before thou hadst a cause,
But since I am a dog, beware my fangs;
The Duke shall grant me justice. I do wonder,
Thou naughty gaoler, that thou art so fond
To come abroad with him at his request.
I’ll have my bond, speak not against my bond. I have sworn an oath that I will have my bond. you call’dst me dog before you hadst a cause, But since I am a dog, beware my fangs; The Duke shall grant me justice. I do wonder, you naughty gaoler, that you are so fond To come abroad with him at his request.
I’ll have my bond, speak not against my bond. I have sworn an oath that I will have my bond. you call’dst me dog before you hadst a cause, But since I am a dog, beware my fangs; The Duke shall grant me justice. I do wonder, you naughty gaoler, that you are so fond To come abroad with him at his request.
I’ll have my bond, speak not against my bond I have sworn an oath that I will have my bond you call’dst me dog before you hadst a cause, But since I am a dog, beware my fangs; The Duke shall grant me justice I do wonder, you naughty gaoler, that you are so fond To come abroad with him at his request
Shylock says some version of 'I'll have my bond' six times in this scene. It is not rhetoric — it is deliberate closure. He has nothing left to argue, and he knows it: his position is legally correct, morally defensible within his own framework, and emotionally necessary after everything that has been taken from him. The repetition functions as a kind of prayer — or perhaps its opposite, an anti-prayer — a sentence that forecloses all conversation by removing the possibility of exchange. Shylock doesn't engage with Antonio's words because engaging would mean the situation could still change. He cannot afford that. The bond is the last thing he controls, and he will not relinquish control of it by speaking.
I pray thee hear me speak.
I pray you hear me speak.
I pray you hear me speak.
I pray you hear me speak
I’ll have my bond. I will not hear thee speak.
I’ll have my bond, and therefore speak no more.
I’ll not be made a soft and dull-eyed fool,
To shake the head, relent, and sigh, and yield
To Christian intercessors. Follow not,
I’ll have no speaking, I will have my bond.
I’ll have my bond. I will not hear you speak. I’ll have my bond, and therefore speak no more. I’ll not be made a soft and dull-eyed fool, To shake the head, relent, and sigh, and yield To Christian intercessors. Follow not, I’ll have no speaking, I will have my bond.
I’ll have my bond. I will not hear you speak. I’ll have my bond, and therefore speak no more. I’ll not be made a soft and dull-eyed fool, To shake the head, relent, and sigh, and yield To Christian intercessors. Follow not, I’ll have no speaking, I will have my bond.
I’ll have my bond I will not hear you speak I’ll have my bond, and therefore speak no more I’ll not be made a soft and dull-eyed fool, To shake the head, relent, and sigh, and yield To Christian intercessors Follow not, I’ll have no speaking, I will have my bond
It is the most impenetrable cur
That ever kept with men.
It is the most impenetrable cur That ever kept with men.
It is the most impenetrable cur That ever kept with men.
It is the most impenetrable cur That ever kept with men
Antonio's explanation of the legal situation is accurate and important for understanding the play's architecture. Venice in the sixteenth century was one of the world's great commercial republics, and its prosperity depended on a reputation for contract enforcement. Merchants from across Europe and the Mediterranean did business in Venice precisely because the legal system was reliable. If the Duke voided a valid contract — even a grotesque one — on the grounds that the terms were cruel, he would send a signal to every foreign merchant that Venetian contracts could be overridden by ducal discretion. Trade would move elsewhere. This is not a theoretical concern; it is the constitutional logic that keeps Shylock legally empowered until someone finds a loophole. The play's resolution in 4-1 depends on finding that loophole rather than simply ignoring the law.
Let him alone.
I’ll follow him no more with bootless prayers.
He seeks my life, his reason well I know:
I oft deliver’d from his forfeitures
Many that have at times made moan to me.
Therefore he hates me.
Let him alone. I’ll follow him no more with bootless prayers. He seeks my life, his reason well I know: I oft deliver’d from his forfeitures Many that have at times made moan to me. Therefore he hates me.
Let him alone. I’ll follow him no more with bootless prayers. He seeks my life, his reason well I know: I oft deliver’d from his forfeitures Many that have at times made moan to me. Therefore he hates me.
Let him alone I’ll follow him no more with bootless prayers He seeks my life, his reason well I know: I oft deliver’d from his forfeitures Many that have at times made moan to me Therefore he hates me
I am sure the Duke
Will never grant this forfeiture to hold.
I am sure the Duke Will never grant this forfeiture to hold.
I am sure the Duke Will never grant this forfeiture to hold.
I am sure the Duke Will never grant this forfeiture to hold
The Duke cannot deny the course of law,
For the commodity that strangers have
With us in Venice, if it be denied,
’Twill much impeach the justice of the state,
Since that the trade and profit of the city
Consisteth of all nations. Therefore, go.
These griefs and losses have so bated me
That I shall hardly spare a pound of flesh
Tomorrow to my bloody creditor.
Well, gaoler, on, pray God Bassanio come
To see me pay his debt, and then I care not.
The Duke cannot deny the course of law, For the commodity that strangers have With us in Venice, if it be denied, ’Twill much impeach the justice of the state, Since that the trade and profit of the city Consisteth of all nations. Therefore, go. These griefs and losses have so bated me That I shall hardly spare a pound of flesh Tomorrow to my bloody creditor. Well, gaoler, on, pray God Bassanio come To see me pay his debt, and then I care not.
The Duke cannot deny the course of law, For the commodity that strangers have With us in Venice, if it be denied, ’Twill much impeach the justice of the state, Since that the trade and profit of the city Consisteth of all nations. Therefore, go. These griefs and losses have so bated me That I shall hardly spare a pound of flesh Tomorrow to my bloody creditor. Well, gaoler, on, pray God Bassanio come To see me pay his debt, and then I care not.
The Duke cannot deny the course of law, For the commodity that strangers have With us in Venice, if it be denied, ’Twill much impeach the justice of the state, Since that the trade and profit of the city Consisteth of all nations Therefore, go These griefs and losses have so bated me That I shall hardly spare a pound of flesh Tomorrow to my bloody creditor Well, gaoler, on, pray God Bassanio come To see me pay his debt, and then I care not
The Reckoning
The shortest and perhaps most formally claustrophobic scene in the play. Shylock appears and disappears without any real dialogue — he speaks past Antonio, not to him. His 'I'll have my bond' becomes a kind of chant: the words of a man who has turned his grief into procedure, and who will not be talked back out of it. Antonio's concluding speech is one of the most resigned in the play — his dignity is intact, but his hope is essentially gone.
If this happened today…
A debtor tries to stop the repo man at his door. The repo man won't engage — he just repeats: 'I have a court order. I'm not here to talk.' A bystander tells the debtor to calm down. The repo man says: 'You called me a dog. You knew the terms.' And leaves. The debtor turns to his friend: 'There's nothing we can do legally. The system protects contracts or trade dies. I just want to see my person before this is over.'