← 4.4
Act 4, Scene 5 — Rossillon. A room in the Countess’s palace.
on stage:
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Original
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The argument Back in Rossillon, Lafew and the Countess mourn Helena, trade barbs with the Clown, and set up the plan for Bertram to marry Lafew's daughter to restore his honor.
Enter Clown, Countess and Lafew.
LAFEW LAFEW

No, no, no, your son was misled with a snipt-taffeta fellow there,

whose villanous saffron would have made all the unbak’d and doughy

youth of a nation in his colour. Your daughter-in-law had been alive at

this hour, and your son here at home, more advanc’d by the king than by

that red-tail’d humble-bee I speak of.

No, no, no, your son was misled with a snipt-taffeta fellow there, whose villanous saffron would have made all the unbak’d and doughy youth of a nation in his colour. Your daughter-in-law had been alive at this hour, and your son here at home, more advanc’d by the king than by that red-tail’d humble-bee I speak of.

no, no, no, your son was misled with a snipt-taffeta fellow there, whose villanous saffron would 've made all the unbak’d and doughy youth of a nation in h's colour. your daughter-in-law had been alive at th's hour, and your son here at home, more advanc’d by the king than by that red-tail’d humble-bee i speak of.

No, no, no, your son was misled with a snipt-taffeta fellow there,...

COUNTESS COUNTESS

I would I had not known him; it was the death of the most virtuous

gentlewoman that ever nature had praise for creating. If she had

partaken of my flesh and cost me the dearest groans of a mother, I

could not have owed her a more rooted love.

I would I had not known him; it was the death of the most virtuous gentlewoman that ever nature had praise for creating. If she had partaken of my flesh and cost me the dearest groans of a mother, I could not have owed her a more rooted love.

i would i had not known him; it was the death of the most virtuous gentlewoman that ever nature had praise for creating. if she had partaken of my flesh and cost me the dearest groans of a mother, i could not 've owed her a more rooted love.

I would I had not known him; it was the death of...

↩ Callback to 1-1 The Countess's grief for Helena as the daughter she never had echoes her first scene with Helena in 1-1 — the whole arc of their relationship compressed into a eulogy delivered while Helena is still alive.
🎭 Dramatic irony The Countess mourns Helena as dead — 'I could not have owed her a more rooted love' — while the audience knows Helena is alive, traveling to Marseilles, and about to arrive at Rossillon before Bertram does.
LAFEW LAFEW

’Twas a good lady, ’twas a good lady. We may pick a thousand salads ere

we light on such another herb.

’Twas a good lady, ’twas a good lady. We may pick a thousand salads before we light on such another herb.

’twas a good lady, ’twas a good lady. we may pick a thousand salads before we light on such another herb.

’Twas a good lady, ’twas a good lady. We may pick a...

CLOWN CLOWN

Indeed, sir, she was the sweet marjoram of the salad, or, rather, the

herb of grace.

Indeed, sir, she was the sweet marjoram of the salad, or, rather, the herb of grace.

indeed, sir, she was the sweet marjoram of the salad, or, rather, the herb of grace.

Indeed, sir, she was the sweet marjoram of the salad, or, rather,...

LAFEW LAFEW

They are not herbs, you knave; they are nose-herbs.

They are not herbs, you knave; they are nose-herbs.

they 're not herbs, you knave; they 're nose-herbs.

They are not herbs, you knave; they are nose-herbs.

CLOWN CLOWN

I am no great Nebuchadnezzar, sir; I have not much skill in grass.

I am no great Nebuchadnezzar, sir; I have not much skill in grass.

i am no great nebuchadnezzar, sir; i 've not much skill in grass.

I am no great Nebuchadnezzar, sir; I have not much skill in...

"I am no great Nebuchadnezzar, sir; I have not much skill in grass" Nebuchadnezzar, in the Book of Daniel, was driven mad by God and ate grass like an animal. The Clown's joke is that he doesn't need to be an expert in grass — i.e., he's not a madman. It's also a gentle way of saying 'I know nothing' in the most elaborate way possible.
LAFEW LAFEW

Whether dost thou profess thyself,—a knave or a fool?

Whether do you profess yourself,—a knave or a fool?

whether do you profess yourself,—a knave or a fool?

Whether do you profess yourself,—a knave or a fool?

CLOWN CLOWN

A fool, sir, at a woman’s service, and a knave at a man’s.

A fool, sir, at a woman’s service, and a knave at a man’s.

a fool, sir, at a woman’s service, and a knave at a man’s.

A fool, sir, at a woman’s service, and a knave at a...

LAFEW LAFEW

Your distinction?

Your distinction?

your distinction?

Your distinction?

CLOWN CLOWN

I would cozen the man of his wife, and do his service.

I would cozen the man of his wife, and do his service.

i would cozen the man of h's wife, and do h's service.

I would cozen the man of his wife, and do his service.

LAFEW LAFEW

So you were a knave at his service indeed.

So you were a knave at his service indeed.

so you were a knave at h's service indeed.

So you were a knave at his service indeed.

CLOWN CLOWN

And I would give his wife my bauble, sir, to do her service.

And I would give his wife my bauble, sir, to do her service.

and i would give h's wife my bauble, sir, to do her service.

And I would give his wife my bauble, sir, to do her...

LAFEW LAFEW

I will subscribe for thee; thou art both knave and fool.

I will subscribe for you; you are both knave and fool.

i will subscribe for you; you 're both knave and fool.

I will subscribe for you; you are both knave and fool.

CLOWN CLOWN

At your service.

At your service.

at your service.

At your service.

LAFEW LAFEW

No, no, no.

No, no, no.

no, no, no.

No, no, no.

CLOWN CLOWN

Why, sir, if I cannot serve you, I can serve as great a prince as you

are.

Why, sir, if I cannot serve you, I can serve as great a prince as you are.

why, sir, if i cannot serve you, i can serve as great a prince as you are.

Why, sir, if I cannot serve you, I can serve as great...

LAFEW LAFEW

Who’s that? a Frenchman?

Who’s that? a Frenchman?

who’s that? a frenchman?

Who’s that? a Frenchman?

CLOWN CLOWN

Faith, sir, ’a has an English name; but his phisnomy is more hotter in

France than there.

Faith, sir, ’a has an English name; but his phisnomy is more hotter in France than there.

faith, sir, ’a has an english name; but h's phisnomy 's more hotter in france than there.

Faith, sir, ’a has an English name; but his phisnomy is more...

LAFEW LAFEW

What prince is that?

What prince is that?

what prince 's that?

What prince is that?

CLOWN CLOWN

The black prince, sir; alias the prince of darkness; alias the devil.

The black prince, sir; alias the prince of darkness; alias the devil.

the black prince, sir; alias the prince of darkness; alias the devil.

The black prince, sir; alias the prince of darkness; alias the devil.

LAFEW LAFEW

Hold thee, there’s my purse. I give thee not this to suggest thee from

thy master thou talk’st of; serve him still.

Hold you, there’s my purse. I give you not this to suggest you from your master you talk’st of; serve him still.

hold you, there’s my purse. i give you not th's to suggest you from your master you talk’st of; serve him still.

Hold you, there’s my purse. I give you not this to suggest...

CLOWN CLOWN

I am a woodland fellow, sir, that always loved a great fire, and the

master I speak of ever keeps a good fire. But sure he is the prince of

the world; let his nobility remain in’s court. I am for the house with

the narrow gate, which I take to be too little for pomp to enter: some

that humble themselves may, but the many will be too chill and tender,

and they’ll be for the flow’ry way that leads to the broad gate and the

great fire.

I am a woodland fellow, sir, that always loved a great fire, and the master I speak of ever keeps a good fire. But sure he is the prince of the world; let his nobility remain in’s court. I am for the house with the narrow gate, which I take to be too little for pomp to enter: some that humble themselves may, but the many will be too chill and tender, and they’ll be for the flow’ry way that leads to the broad gate and the great fire.

i am a woodland fellow, sir, that always loved a great fire, and the master i speak of ever keeps a good fire. but sure he 's the prince of the world; let h's nobility remain in’s court. i am for the house with the narrow gate, which i take to be too little for pomp to enter: some that humble themselves may, but the many will be too chill and tender, and they’ll be for the flow’ry way that leads to the broad gate and the great fire.

I am a woodland fellow, sir, that always loved a great fire,...

"the house with the narrow gate" A direct quotation of Matthew 7:13-14 — 'straight is the gate and narrow is the way which leadeth unto life.' The Clown is using Gospel language about heaven and hell to comment on worldly ambition. This is the play's only moment of genuine religious feeling, and it comes from the fool.
LAFEW LAFEW

Go thy ways, I begin to be a-weary of thee; and I tell thee so before,

because I would not fall out with thee. Go thy ways; let my horses be

well look’d to, without any tricks.

Go your ways, I begin to be a-weary of you; and I tell you so before, because I would not fall out with you. Go your ways; let my horses be well look’d to, without any tricks.

go your ways, i begin to be a-weary of you; and i tell you so before, because i would not fall out with you. go your ways; let my horses be well look’d to, without any tricks.

Go your ways, I begin to be a-weary of you; and I...

CLOWN CLOWN

If I put any tricks upon ’em, sir, they shall be jades’ tricks, which

are their own right by the law of nature.

If I put any tricks upon ’em, sir, they shall be jades’ tricks, which are their own right by the law of nature.

if i put any tricks upon ’em, sir, they shall be jades’ tricks, which 're their own right by the law of nature.

If I put any tricks upon ’em, sir, they shall be jades’...

[_Exit._]
LAFEW LAFEW

A shrewd knave, and an unhappy.

A shrewd knave, and an unhappy.

a shrewd knave, and an unhappy.

A shrewd knave, and an unhappy.

COUNTESS COUNTESS

So he is. My lord that’s gone made himself much sport out of him; by

his authority he remains here, which he thinks is a patent for his

sauciness; and indeed he has no pace, but runs where he will.

So he is. My lord that’s gone made himself much sport out of him; by his authority he remains here, which he thinks is a patent for his sauciness; and indeed he has no pace, but runs where he will.

so he is. my lord that’s gone made himself much sport out of him; by h's authority he remains here, which he thinks 's a patent for h's sauciness; and indeed he has no pace, but runs where he will.

So he is. My lord that’s gone made himself much sport out...

LAFEW LAFEW

I like him well; ’tis not amiss. And I was about to tell you, since I

heard of the good lady’s death, and that my lord your son was upon his

return home, I moved the king my master to speak in the behalf of my

daughter; which, in the minority of them both, his majesty out of a

self-gracious remembrance did first propose. His highness hath promis’d

me to do it; and, to stop up the displeasure he hath conceived against

your son, there is no fitter matter. How does your ladyship like it?

I like him well; ’is not amiss. And I was about to tell you, since I heard of the good lady’s death, and that my lord your son was upon his return home, I moved the king my master to speak in the behalf of my daughter; which, in the minority of them both, his majesty out of a self-gracious remembrance did first propose. His highness has promis’d me to do it; and, to stop up the displeasure he has conceived against your son, there is no fitter matter. How does your ladyship like it?

i like him well; ’t's not amiss. and i was about to tell you, since i heard of the good lady’s death, and that my lord your son was upon h's return home, i moved the king my master to speak in the behalf of my daughter; which, in the minority of them both, h's majesty out of a self-gracious remembrance did first propose. h's highness has promis’d me to do it; and, to stop up the displeasure he has conceived against your son, there 's no fitter matter. how does your ladyship like it?

I like him well; ’is not amiss. And I was about to...

COUNTESS COUNTESS

With very much content, my lord, and I wish it happily effected.

With very much content, my lord, and I wish it happily effected.

with very much content, my lord, and i wish it happily effected.

With very much content, my lord, and I wish it happily effected.

LAFEW LAFEW

His highness comes post from Marseilles, of as able body as when he

number’d thirty; he will be here tomorrow, or I am deceived by him that

in such intelligence hath seldom fail’d.

His highness comes post from Marseilles, of as able body as when he number’d thirty; he will be here tomorrow, or I am deceived by him that in such intelligence has seldom fail’d.

h's highness comes post from marseilles, of as able body as when he number’d thirty; he will be here tomorrow, or i am deceived by him that in such intelligence has seldom fail’d.

His highness comes post from Marseilles, of as able body as when...

COUNTESS COUNTESS

It rejoices me that I hope I shall see him ere I die. I have letters

that my son will be here tonight. I shall beseech your lordship to

remain with me till they meet together.

It rejoices me that I hope I shall see him before I die. I have letters that my son will be here tonight. I shall beseech your lordship to remain with me till they meet together.

it rejoices me that i hope i shall see him before i die. i 've letters that my son will be here tonight. i shall beseech your lordship to remain with me till they meet together.

It rejoices me that I hope I shall see him before I...

LAFEW LAFEW

Madam, I was thinking with what manners I might safely be admitted.

Madam, I was thinking with what manners I might safely be admitted.

madam, i was thinking with what manners i might safely be admitted.

Madam, I was thinking with what manners I might safely be admitted.

COUNTESS COUNTESS

You need but plead your honourable privilege.

You need but plead your honourable privilege.

you need but plead your honourable privilege.

You need but plead your honourable privilege.

LAFEW LAFEW

Lady, of that I have made a bold charter; but, I thank my God, it holds

yet.

Lady, of that I have made a bold charter; but, I thank my God, it holds yet.

lady, of that i 've made a bold charter; but, i thank my god, it holds yet.

Lady, of that I have made a bold charter; but, I thank...

Enter Clown.
CLOWN CLOWN

O madam, yonder’s my lord your son with a patch of velvet on’s face;

whether there be a scar under’t or no, the velvet knows; but ’tis a

goodly patch of velvet. His left cheek is a cheek of two pile and a

half, but his right cheek is worn bare.

O madam, over there’s my lord your son with a patch of velvet on’s face; whether there be a scar under’t or no, the velvet knows; but ’is a goodly patch of velvet. His left cheek is a cheek of two pile and a half, but his right cheek is worn bare.

o madam, over there’s my lord your son with a patch of velvet on’s face; whether there be a scar under’t or no, the velvet knows; but ’t's a goodly patch of velvet. h's left cheek 's a cheek of two pile and a half, but h's right cheek 's worn bare.

O madam, over there’s my lord your son with a patch of...

LAFEW LAFEW

A scar nobly got, or a noble scar, is a good livery of honour; so

belike is that.

A scar nobly got, or a noble scar, is a good livery of honour; so belike is that.

a scar nobly got, or a noble scar, 's a good livery of honour; so belike 's that.

A scar nobly got, or a noble scar, is a good livery...

CLOWN CLOWN

But it is your carbonado’d face.

But it is your carbonado’d face.

but it 's your carbonado’d face.

But it is your carbonado’d face.

LAFEW LAFEW

Let us go see your son, I pray you. I long to talk with the young noble

soldier.

Let us go see your son, I pray you. I long to talk with the young noble soldier.

let us go see your son, i pray you. i long to talk with the young noble soldier.

Let us go see your son, I pray you. I long to...

CLOWN CLOWN

Faith, there’s a dozen of ’em, with delicate fine hats, and most

courteous feathers, which bow the head and nod at every man.

Faith, there’s a dozen of ’em, with delicate fine hats, and most courteous feathers, which bow the head and nod at every man.

faith, there’s a dozen of ’em, with delicate fine hats, and most courteous feathers, which bow the head and nod at every man.

Faith, there’s a dozen of ’em, with delicate fine hats, and most...

[_Exeunt._]

The Reckoning

The play needs a breath before its final act, and it takes it here. The mourning for Helena feels genuine — Lafew's 'We may pick a thousand salads ere we light on such another herb' is one of the most touching eulogies in the play. The comedy with the Clown has teeth: his riff on the Devil as his employer is genuinely theological and very funny. And the scene closes with news that the King is coming and Bertram with him — the pieces moving into position for the finale. It's the calm before the storm, but the calm has texture.

If this happened today…

The waiting room before the big family confrontation. The grandmother and her old friend are sipping tea, quietly devastated about the daughter-in-law who died after the son ran off. The grandfather's old frenemy shows up. There's a lot of dignified sadness, some uncomfortable jokes from the household assistant who has no read on the room, and then someone checks their phone: 'The car is thirty minutes out.' The whole family is about to be in the same room for the first time in two years.

Continue to 5.1 →